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44

MY

ROUSES

EVERYDAY

MAY | JUNE 2015

the

Culinary Influences

issue

L

ong before the days of food-centric television channels, many amateur

cooks pored through the pages of their favorite cookbooks, experimented

with new recipes and hoped for success. Others relied on family and

community networks to garner tried and true recipes and foolproof cooking

techniques. Radio broadcast cooking programs provided a new medium for

exchange in the 1920s and 1930s. Even then, listeners could only use their

imaginations to envision the dishes that they were hearing about and follow

along as best they could. It was not until the late 1940s, when cooking programs

transitioned to television, that food lovers could actually watch chefs prepare

dishes right in front of their eyes. At this time, the barriers between

haute

cuisine

and home cooking began to break down as chefs braved an entirely new

medium through which to share their expertise.

WDSU-TV was at the forefront of early experiments in televised culinary

programs, and Lena Richard, New Orleans culinary icon, stood at the center of

this burgeoning movement. Richard, therefore, was a pioneer in food TV whose

stunning and exceptional career paved the way for the rise of New Orleans-based

celebrity chefs as diverse as Paul Prudhomme, Emeril Lagasse and David Guas.

By the spring of 1950,WDSU-TV’s cameras were steadily broadcasting footage

of Richard’s

New Orleans Cook Book

throughout the Crescent City. According

to advertisements in The Times-Picayune, the cooking show aired twice

weekly on Tuesdays and Thursdays at 5:00 in the evening, featuring Richard

and her assistant, Marie Matthews. During the program, Richard guided

television audiences through her cookbook,

New Orleans Cook Book

, published

by Houghton Mifflin in 1940. She featured tantalizing recipes such as “Stuffed

Pork Chops” and “Ham and Potato Croquettes.” Undoubtedly, she shared her

recipe for “Gumbo Fil

é

,” which was the house specialty at her widely respected

restaurant, the Gumbo House.

The restaurant, which opened in 1949, was located at 1936 Louisiana Avenue,

and was very much a family operated business. Richard’s son-in-law, Leroy

Rhodes, managed the restaurant. Her husband, Percival, ensured the property

was well maintained, and her daughter, Marie, managed the finances. Richard,

of course, handled the cooking, which attracted a diverse patron base from

around the city. Even in the midst of Jim Crow, this restaurant served both

black and white clientele. Food, then, was a unifying force

in a segregated South.

Ashley Rose Young, is a PhD Candidate

in history at Duke University. Over

the past several years, she has

collaborated with the Southern

Food & Beverage Museum on

the

Lena Richard: Pioneer

in Food TV

exhibit and

oral history project. You can

follow her research and culinary

experiments at http://lenarichard.

blogspot.com

Lena Richard’s Gumbo Filé:

WHAT YOU WILL NEED

1

cup chopped chicken meat

2½ quarts chicken stock

½

dozen crabs

1

pound lake shrimp

½

pound or 1 slice raw ham

1

bay leaf

3

teaspoons filé

1

medium sized onion

1

clove of garlic

3

tablespoons flour

4

tablespoons cooking oil

Salt and pepper, to taste

HOW TO PREP

Fry ham and shrimp in cooking oil until ham is a golden

brown.  Remove ham and shrimp from fat. Make a roux with

flour and fat, add onions and cook until a golden brown. Add

crabs, chicken, ham and shrimp, stock and all seasonings except

salt and pepper. Cook over a slow fire until liquid has reduced to

about 1½ quarts. Season with salt and pepper and, just before

serving, stir in file. It is customary to serve Gumbo Filé with rice.

Richard’s career was not solely defined by her successes as a

celebrity chef or as a restaurant owner and operator. She was also

committed to improving the lives of young African-Americans in

New Orleans. In fact, she established a cooking school to train the

next generation of African-American culinary professionals. In her

cookbook, Richard explains that her purpose in opening

the cooking school was “to teach men and women the

art of food preparation and serving in order that

they would become capable of preparing and

serving food for any occasion and also that

they might be in a position to demand higher

wages.’’ Her commitment and mentorship

advanced the careers of hundreds of

black professionals in the Jim Crow

South and contributed to a shifting

environment that sought to open

up opportunities for all Americans

regardless of race or gender.

Lena Richard’s

New Orleans CookBook

by

Ashley Rose Young